Listen to the music: What would we do without you?

29 01 2013

Kate Bush is still putting out records, right?

I mean, I know she was never one to crank out the albums, but every coupla’ years she would drop a tankful of tunes and Kate being Kate, that was usually enough to get me through.

Then again, I didn’t really start listening to Kate Bush until, mm, The Whole Story/The Sensual World, so it was pretty easy for me to say, No hay problema with the lente of the songs: I could simply dig through the back catalog and satisfy myself with those.

And Kate Bush is satisfying, because her songs were always kitted out with weirdness (the aro0-roo-roo in “Hounds of Love”) or literary allusions (“Cloudbusting” and Wilhelm Reich) or literary weirdness (Heathcliffe! It’s me, Cathy! I’ve come home/It’s so cold, let me in-a-your window-oh-oh).

And why the Pause for the jet? Why not?

She’s heartbreaking too, but often with an undertone of menace: in “Hello Earth” she warns the sailors and life-savers and cruisers and fishermen out of the sea and “Mother Stands for Comfort” of the worst kind. Oh, and the threat of “Experiment IV”:

Music made for pleasure,
Music made to thrill.
It was music we were making here until

They told us
All they wanted
Was a sound that could kill someone
From a distance.

Of course these lyrics would be surrounded by the most gorgeous sounds.

I thought I had all of her cds prior to Hounds of Love, but I don’t see any on my “stolen/not replaced” list. Hm. I wonder if I had them on vinyl. . . .

Anyway, while I thought I had the cd (The Red Shoes) after The Sensual World, apparently not. The gods of Wikipedia tell me there were three cds released in the 2000s, but I don’t know any of them. If I ever get around to buying music again, I should probably consider those.

My favorite Kate Bush tune? I dig most of them, but the one that stoppers out the rest of the world? Jig of Life. The fiddle, the drums, the, um, obscure lyrics, the DRUMS, the incantation at the end—c’mon, is it really such a surprise?

The only thing missing is a jet.

~~~~

54. Bjork, Homogenic
55. Rory Block, Gone Woman Blues
56. Blondie, The Best of Blondie
57. Bjork, Vespertine
58. BoDeans, Love & Home & Sex & Dreams
59. Boukman Eksperyans, Yodou Adjae
60. BoDeans, Go Slow Down
61. Boukman Eksperyans, Libete (Pran Pou Pran’l!)
62. David Bowie, The Singles 1969-1993
63. Billy Bragg, Talking With The Taxman About Poetry
64. Billy Bragg, Worker’s Playtime
65. Billy Bragg, Don’t Try This At Home
66. Brazilian Girls (eponymous)
67. Breeders, Pod
68. Billy Bragg, Going to a Party Way Down South
69. Breeders, Last Splash
70. Broken Social Scene, You Forgot It In People
71. Brother Sun Sister Moon, The Great Game
72. Broken Social Scene, We Hate Your Hate
73. Carla Bruni, Quelqu’un m’a dit
74. Jeff Buckley, Grace
75. Kate Bush, Hounds of Love
76. Butthole Surfers, Electrilarryland

Putting these in the order in which I listen to them as opposed to a straight-alpha is a pain in the ass. The point is to listen to these in a manner in which I otherwise wouldn’t—hence the A-Z ordering—but having already stated my minor listening deviations (breaking up bunches of the same artist), I think I can go back to just listing what I’ve listened to and be done with it.

I mean, I want to be meticulous but not, y’know, uptight. . . .

I’ve also decided to start mixing in some jazz. My jazz cds are currently separated from my pop cds, but as I listen to them, I’ll integrate them into the whole.

And while I may end up inserting some classical into the listening mix, the cds will remain in their orchestra seats.

1. Geri Allen, The Gathering
2. Geri Allen Trio, Twenty One
3. Anderson, Crispell, Drake, Destiny

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