Ohhh, I don’t know why, but it seemed that it might be a good time to read Deborah Lipstadt’s Denying the Holocaust.
No reason, really. Y’know, I just happened to have recently watched Denial, happened to have been at the Strand, happened to have to have found myself in the Holocaust Studies section, and, Oh, look, there it is. And then I just happened to have found myself in the opposite corner of the basement in the Law section, where, again, Lookee, here’s History on Trial.
I have said before that, after that first rush to do something, anything, to grit up the gears of the Trump machine, I’d deflated.
I’m still flat. Oh, I still go to the occasional protest and holler, but mostly, I read of all the harm this administration is doing and think God. Fucking. Dammit. And not much more.
I am still trying to think, however, and I figured Lipstadt would be among those authors who could give me something to think about. She doesn’t sketch out an explicit typology of denial in Denying, but in laying out the stories of Hitler and Nazi apologetics, she makes it easy to see the tricks and bullshit these horrid wretches pull to advance their pernicious claims. (In fact, I think I may go through the book and pull out and arrange that tricksy shit for all of y’all.)
It is discouraging, however, to note that, in the preface to Denying, she writes of the incredulity her work provoked, as if no one could believe such a rebuttal were necessary. But then, she continues, That situation has changed dramatically. Regrettably, I no longer have to convince others of the relevance of this work.
Why discouraging? Denying was published in 1993.
~~~
I know, it’s easy to laugh at tiki torches and fashy haircuts, but anyone who wears a swastika is a menace. I absolutely believe that we can and should laugh at these assholes as much as possible—if mockery can shrink ’em, then let’s errrrybody mock—but that doesn’t mean we shouldn’t take them seriously, and shouldn’t be ready to confront them at every possible turn.*
I’ve long thought it important to keep an eye on the fringes, even if I didn’t think it necessary to do more than that. The overt antisemites are still on the fringes, along with the hood-wearing racists, but that they’re popping up has made it even easier for the ‘respectable’ white supremacists to advance their ideas about “globalists”, “thugs”, and “aliens”.
Again, none of these convictions translates, for me, into a clear sense of what, exactly, I should be doing. But I know I need to prepare for whatever comes.
~~~
*I just re-read Jen Graves’s 2013 piece on Charles Krafft, an artist who worked—ironically, it was thought—in Nazi imagery; turns out that, no, really not ironic.
So Krafft is a piece of shit. But what’s striking is less his shittiness than his friends’ reactions to that shittiness:
Another old friend, Tacoma writer Peggy Andersen, said she had to stop socializing with Krafft. “I told him, ‘When I hang out with you, I feel like I’m endorsing something.’… His main thing is that the Holocaust is an exaggeration. I say, if they only killed 10,000 people because they were Jewish, it would still be a holocaust, jackass.” As Andersen and I ended our interview, she said, “Be sure to say I love Charlie.”
A longtime friend who insisted on anonymity said, “It’s not only anti-Semitic stuff, it’s also racism—you know, blacks and women and anything that is held dear by the liberal establishment. And I can see a reaction against holier-than-thou attitudes, I mean, yeah, of course. But…”
Other friends, like Larry Reid, coauthor of the 2002 monograph on Krafft, Villa Delirium, just sort of look away. “I try not to pay too much attention,” Reid said.
Yeah, no, looking away, proclaiming love, not paying attention: not gonna fly.
Like I said, I may not know what to do, big-picture, but if one of my “kind”, “generous”, “articulate”, Zen friends goes Nazi, I sure as hell hope I know at least enough to say NOPE.
https://kpfa.org/episode/letters-and-politics-september-14-2017/
“Mitch Jeserich talks to Robert Paxton, about the history of fascism and why it is relevant in contemporary America. Paxton is a political scientist and historian specializing in the World War II era. He is professor emeritus at Columbia University.
The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”
The holocaust is fake history.
Fuck off.