And Sir Sun stands up

20 06 2019

Fucking summer.

It’s been a cool June so far in NYC, but you know that by July the weather will be filthy and by August, murderous.

So, in “honor” of the worst of the four seasons, some sun and summer songs.

From back in me college days:

This got a lot of play when I was living in the apartment on Breese Terrace (right across from Camp Randall stadium). I don’t know that I yet hated summer—I was probably still operating under the delusion of fellow northerners that one should be glad that summer’s here, as it least it’s not winter—but regardless, I liked this one. Still do.

This one’s a throwback to the seventies:

I didn’t have this album—this came out before my album-buying days—but my older sister had a copy of Captain Fantastic and the Brown Dirt Cowboy that I listened to, up in our shared bedroom, so I tend to associate all songs of this era with the seventies, even if I didn’t actually listen to them back then.

As to that first album I bought? Foreigner, Double Vision. I was mad for Foreigner, and at twelve or thirteen, when I started really paying attention to music, this. . . this is what I wanted.

I still listen to old Elton John. Foreigner? Not so much.

I fuckin’ love this song, still:

In fact, I hopped out of my chair and lip-synced to this as it played on my tinny computer speakers.

This would make a great song for a chorus, don’t you think? So many ways to take this.

Man, I fuckin’ loved all of early U2, and while I don’t hate them now, at some point getting their new music was no longer necessary. But this song reminds me of when it was.

This is kind of a trash song, but I do love me some Be Good Tanyas:

A friend of mine who, well, kinda of worked music festivals (as in, he had a job that mostly had nothing to do with music but sometimes did), once booked the Be Good Tanyas. They fought like hell offstage, he told me.

But the show was fine.

This one was included on a mixtape sent to me in grad school by my friend L:

I don’t know this artist well, or, really, at all, but apparently Eddie Vedder later covered the song.

Anyway, I listened to this song on my walkman on the number 2 bus taking me down Franklin, heading toward and away home.

And, of course, this is the song that’s counts as hopeful for mopes like me:

God, what a great song.

The Police was one of those bands I was introduced to by MTV. I don’t know what anyone thinks about MTV these days, but back in the ’80s they played all kinds of shit I couldn’t get on the radio.

Falls is between Green Bay and Milwaukee, so I’d listen to stations out of there (mostly Milwaukee, honestly, 93.9 (?) WQXR! and a station at 97-point-something), the relevant ones of which were either Top-40 (which I, a cool teenager, disdained) and hard rock. I was into the latter in my early teens, but once I heard post-punk and New Wave, it was all over.

Anyway, the Milwaukee School of Engineering was rumored to have a great indie station, but the signal was weak and we almost never got it up in Sheb county.

So MTV was it. It was terribly white, back in those days, which I might have tutted about, but honestly, I dug the Police and the Eurythmics and the B-52’s and the Femmes and BoDeans and on and on, so Music TeleVision fed me what I needed.

There are many, many, many, MANY more summer/sun songs, but here’s one on how to deal with the heat:

Naked is a state of mind, indeed.

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Autumnsongs: U2

30 10 2014

You knew this one was coming.

I thought I’d get to it earlier, but this whole month has been unusually warm, and when I think of “October”, I think not just of a fading sun through fallen leaves, but sweatshirts and collars pulled up and knuckles reddened from the chill.

Some New York Octobers, yes, but not this one.

Still, it wouldn’t really do to play this in November, and today the wind did smack me around a bit, so why not now?

It’s lovely and melancholy not too much, in the way that U2 is often too much.

I loved that about U2, actually, that they were so often too much, too hot—never cool. I loved the righteousness and the politics and the absolute emo—a term nowhere in evidence back in the day—of the joint.

U2, in other words, were never cool, and I was all right with that.

Still, “Seconds” was about as cool as they got, in terms of perspective. It was angry, yes, but in a kind of can-you-fuckin’-believe-it way.

Why is this an autumnsong? The detachment, perhaps, but more so that I associate this song with that first semester at college, when the air in Madison was definitely chill, and I was running around trying to soak up all of the politics my skinny 18-year-old self could handle.

One weekend just about tipped me over: a Mondale/Ferraro rally (with which I was very involved) at the Capitol on Friday, an anti-nuke march in Chicago on Saturday, and a speech by Gloria Steinem in Milwaukee on Sunday—bless that skinny little heart, but I made them all.

The Chicago rally was a bit odd. I went alone (on the bus), wiped out, broke, and marched with I don’t know how many thousands of others through the foggy streets of Chicago, before we we emptied ourselves into a park to hear, oh man, was it Helen Caldicott? could Petra Kelly have been there? It seems like it, but thirty years on, and memory, like the sun, fades.

Well, except for Jesse Jackson, hometown son. I remember him, up next to the stage, I remember him. Man, the man could speak.

So, “Seconds” is a foggy Chicago Saturday in October, thousands, tens of thousands of us marching against the bomb, against our annihilation, and for our lives.