When the devil comes blowing through your door

19 10 2008

It needs to be said: Beth Orton did not save my life. And it’s always dicey to attribute too much personal meaning to someone else’s words. Nonetheless, I took her devil as my own, as this song accompanied me on the way out of a decades-long tunnel.

Did I save myself? Hmmmmmm. I guess. I decided to live; is that saving myself? I hesitate to say yes for two reasons: One, I question whether one can save oneself, i.e., what is saving, anyway? Two, and more concretely, I question whether I did, in fact, decide to live.

Yeah, I’m alive, and that works for me. But at that crucial moment, my toes stretched across that thin thread, I didn’t so much decide as happen to lean this way rather than that. To illustrate this point, I sometimes put my hands together and let one fall back: ‘it could just as easily have gone the other way’, I say. Why live? Why die? I had no answer.

Hm. I wonder if that wasn’t the crucial question, Why die? I never asked that question (though others, of course, did); the default was death. But at that moment, sitting in my apartment with my palms over my eyes, I allowed myself the question: What am I to do? For the first time in over twenty years, I didn’t know. That un-knowing, which I mentioned in my last post, gave me that chance to fall this way rather than that.

What I did decide was to go with that chance. I fell into the net, and decided not to cut through it. Very well. My life is in my hands. I will take it.

How did I get to that night, that chance? I don’t know. It’s entirely possible that I had neared such moments previously, but couldn’t recognize them; certainly, I didn’t ask, before then, why I should die. Perhaps it was the work done prior to that night which cracked me open enough to allow that question through. Lucretia puts it quite nicely:

That I managed to get through that has a lot to do with learning to live with pain, and that was a redemptive experience. It’s like a zen trick; it’s not that “suffering ennobles” or some bullshit like that. But, by accepting that the pain was there whether I wanted it or not, and there was nothing I could do about it and nothing redemptive about it, that’s how I set my feet back on the path to redemption.

Yes, exactly. The pain would always already be there, as it is for every other human being on the planet, and that there was nothing either romantic or shameful about it. And despite all of my anti-romantic protestations, I did hold it rather close, as if it were something I was in danger of losing. I wrote about this years ago, some months before my turnaround:

[Kay Redfield] Jamison notes [in an Unquiet Mind] that in coming down from a manic high, “I had a horrible sense of loss for who I had been and where I had been.” This loss was magnified—rationalized, certainly, but also magnified—as she settled into her lithium routine. She was not just missing the swooning highs, but a self which, terrifically flawed, was nonetheless valued. To get better is, in a fundamental sense, to lose oneself.
To repeat: to get better is to lose onself. The idea behind treatment is that one gains a more complete self, that whatever loss occurs is mitigated by the wholeness of who one becomes. Nice idea, and I believe it insofar as I take part in treatment, but I also don’t believe it. As much as I try to make sense of my troubles, I also resist making sense of some its aspects: loss is loss, period.
Actually, if I understand therapy as leading to a more complete me, I can sign on, but if you tell me it will make me “better,” I want to bolt. Better?! Better, how?! More
normal? is that what you mean? To fit in, to be like everyone else, to conform?  To not be me, that’s what you mean. Why not just stick an icepick in my brain and get it over with.
I’m a little sensitive on this issue.
But even as I recognize overreaction, I still hold to the notion that there is something in this withered and distorted life which is meaningful. Not good, necessarily, but not everything which is meaningful is good.  I can see things, living as I do, off to the side and peering at the rest of you in some bewilderment. There are things you take for granted as good or normal that I just think, Huh. . . .
[So I worry] that I will lose this sight of the unsightly. . . . More primordially, I grasp at this sight as something which is
mine, which I have earned in years of living perched in the branches of a barren tree.  God. Dammit. I’ve survived out here, and now you’re telling me, Forget it? None of it matters?  . . .
My life yields strange and bitter fruits, but there is fruit and it is mine.

I protected that pain, that depression, out of sense that it was all that I had. Oh, I knew that other people felt bad, that I could not (even if I wanted to) monopolize suffering, but, somehow, I thought that my troubles with life gave me some kind of special sight into life itself. Yes, these troubles would kill me, but in the meantime. . . .

Hah. Who knows, maybe I did see something most others did not. So what. Every other person, by virtue of being every other person, will see something most others did not. This is the most basic condition of existence—that we are separate beings, with experiences we may only uncertainly communicate to others—and one which I missed, so frantic was I to take myself out of existence.

So much I missed. So much I don’t even know to look for.

Still, I am, finally, looking.





Devil was my angel

18 10 2008

Depression is a thief.

Back up a step or two: Jon Katz blogs at Bedlam Farm, the last thing I read before turning off my computer at night, and I generally find his posts calming, and, perhaps, chastening in that just-so manner. I recommend him.

That said, I’ve been catching up on his archives, and just finished the December 2007 (and am into the Jan 2008) posts. Having read an advanced reader’s copy of his book Izzy & Lenore, I knew that he fell into a hole in this period—he refers to the ‘Black Dog’ of depression—so the posts were not unfamiliar. Still, he treats this Black Dog far more generously in these posts than he does in the book: whereas in the book he rasps to his (long-estranged/newly-reconciled) sister ‘I’m in real trouble here!’, in the posts he speaks of the redemptive power of pain, of what can be gained, of the connection between madness and creativity.

I cannot believe this. I used to, and it almost killed me.

Shit. It was probably too late to start this post, given how much there is to say. But I do at least want to note that, for some us, pain cannot be harnessed to redemption, nor can depression enable art. Believing so made it easy for me to feed my disorders, and made it even harder to leave them behind.

Depression was the thief that stayed in my home, stole my things, dismantled the framing, smashed the foundations, and cooed that it was all for the best, that, really, I couldn’t live without it. I clung to this, trusting this hollowing out of my life far more than I trusted life itself. I didn’t just believe, I knew that depression would lead me to the only redemption possible for such a deracinated life. It was only a chance un-knowing which allowed me steal back my life.

I’m glad Jon Katz made his way through his troubles, and if believing that there were some point to them helped him get through, I’m not about to criticize him. I simply cannot believe it.





More songs (for an American girl)

16 10 2008

I was going to write about the debate or money or politics or Bedlam Farm but the mojo just whistled right out of me.

How ’bout some songs, instead? (Again, from a few years ago.)

SFAAG: Squinting out the window
Talking Heads: Once In A Lifetime
Gang of Four: We Live As We Dream Alone
PJ Harvey: A Place Called Home
Beck: Where It’s At
B-52s: 52 Girls
Kate Bush: Wow
Paul Simon: The Boy in the Bubble
Waterboys: The Whole of the Moon
John Cougar Mellencamp: Pink Houses
U2: New Year’s Day
X: 4th of July
Nancy Griffith: Time of Inconvenience
Emmylou Harris: Red Dirt Girl
Hem: leave me here
Giant Sand: The Beat Goes On
Peter Gabriel: We Do What We’re Told
Laurie Anderson: O Superman

SFAAG: Handcuffed to arms
Sinéad O’Connor: drink before the war
Elvis Costello: I’m Not Angry
Clash: London Calling
Gang of Four: At Home He’s a Tourist
Beck: Devil’s Haircut
B-52s: Private Idaho
Dead Kennedys: Holiday in Cambodia
Police: Miss Gradenko
Butthole Surfers: Pepper
Midnight Oil: Put Down that Weapon
PJ Harvey: This Mess We’re In
Belly: Full Moon, Empty Heart
Ani DiFranco: not a pretty girl
T-Bone Burnett: Humans From Earth
REM: Welcome to the Occupation
David Bowie: Young Americans
Sam Roberts: brother down
Aretha Franklin: Why I Sing the Blues
Linda Ronstadt & Emmylou Harris: Falling Down
U2: Bullet the Blue Sky

Sleep tight.





Up-gazing

16 10 2008





They’re not stopping!

15 10 2008

Forty more minutes of this.

Each minute a nail in my melting head. You’d think that [melting] would make the pounding [of nails] hurt less.

And yet it doesn’t.





Make them stop. Please. Make them stop.

15 10 2008

Oh my god. The debate.

The horror! The horror!

Be glad I’m stifling the urge to blog line by line. This is less out of self-discipline than self-preservation: I fear my head would deliquesce.

I will forbear, and listen. But must. stop. writing. . . now.





Indirection, part I

13 10 2008

Indirection. It’s the only way I can approach this.  Dead on, and I veer away.

Thus. I wondered previously about sex, wondered if there weren’t more to sex than. . . sex.

Yes and no. Duh.

Okay, no more gone-away-speak. What I mean is, why would sex have to be just one thing? Why couldn’t it be about intimacy and pleasure and games and love and babies (oh yeah, forgot about them) and a way to pass some time—perhaps all at once or perhaps at different times? (And if you want to make it about God or spirituality or the cosmos, be my guest. Your sex life, really, is yours.) So Tuesday it’s about your partner and Friday it’s about the wine  and my didn’t (s)he look good and the following Sunday morning it’s about having the time and remembering why the two of you have been waking up together for as long as you have.

As mentioned previously, I was never much of a bed-hopper, so I can’t say much about one-night-stands. I get it—sometimes your body just says Gimme Gimme Gimme—but beyond that, I can only speculate. Is it that someone else finds you attractive? Sexual power? Or just about the gimme gimme gimme?

Again, I get that, but doesn’t that get old? You never have to learn about someone else, never have to vary your moves (just your partners), never have to concern yourself (if one is properly protected) with anyone or anything beyond your own skin. Perhaps that’s the point, and the pleasure, of playing. Maybe that’s not so bad, at least in the short time. You get out of a relationship, want some excitement, want to see who and what is out there, so a few quick tosses seem, well, refreshing. But over the long term, wouldn’t it just get stale?

And this is where the larger questions of sex and intimacy lay in wait: what do you want from a partner?

And this is where I’m snared, because I haven’t been with anyone long enough to ask, much less answer, that question. (Well, I guess one could ask this of short-termers as well, in which the answers are simple: Arm candy! Dancing! And lest we forget: Orgasms! Fine things, all, but, again, I’m looking for something beyond this.)

What do I want from a partner? Haven’t a clue. Well, not exactly true: some of the same things I want from friends (strong mind, good sense of humor, generosity, thoughtfulness, complexity, etc.), but something ineffably more, too. Yes, sexual attraction is part of that ineffable more, but is this all beyond words?

How to answer the question: Why be with someone rather than no one?





The Gone-Away World

13 10 2008

You haven’t read it yet?

Just, just go get the book and sit down and read it. Drink. Read.

Yes, you may guess some things (no, not that one, the older one) and be disappointed by another, but you’ll get over your disappointment and there’s more to come.

Okay, so you’ll be confused by this war and that war but don’t worry you’ll get it along the way maybe sooner than me maybe later but it all comes clear.

Guns on fireplaces in act one and yes it all follows the script but not quite the way thought but exactly so. Don’t worry if you know because the knowing doesn’t get in the way.

Drink. Read.

It starts out with a howl and you’ll be going Whaaa but that’s what the drink is for so just keep going. The wave is carrying you out and tumbling you over and you know what as soon as you stop worrying where your ass is you can say Hey, Alllll riiiiiiiight.

Funny, too. Keep reading.

Okay, so it lags in parts but that’s necessary because if it were perfect it wouldn’t be so good.

Keep reading. Keep drinking too if doing so won’t get in the way of the reading.

There are people and not-people and war and laughter and Oh, Heartbreak! in the middle-end and by the way pay attention to the clues at the beginning of the chapter but not too much attention.

Politics and plots and poignancy and yes even puppies and even when it’s familiar it’s unfamiliar enough not to be.

Stop worrying about sense because it all does make sense if you’d just let your senses go.

Allll riiiiiiight.

What are still doing reading this? This is not the book. Turn off the computer and get the book and read it.





Judas my heart

12 10 2008

I’ve done it. I’ve accomplished what I set out to do.

And thus have failed.

Backstory (partial):

I have my moods. I know: don’t we all. That said, I have to pay attention to them, to make sure they don’t spin out of control. For a very long time, all they—I—did was spin out of control, but about 7 1/2 years ago I got hold of them.

(Seven and a-half years. Jesus. Has it really been that long? Even as I’ve gotten used to this equanimity, it still feels new, not yet broken in.)

The hold remains. Still, I swoon on occasion. This is normal, I tell myself: bad days, better days, days and days. But too long a swoon and I have to start looking to where the ground is, to make sure I don’t, once again, go spinning off. And I haven’t. The hold remains.

Still, I swoon. I recognized today a particularly wretched form of swoon, one most likely to occur in the fall: the wistful swoon. (Unlike, say, the spring swoon, which is irritable and full of dread of the upcoming heat, or the winter swoon, which is contemplative and not wholly unpleasant. I suppress summer swoons: summers were my worst times, before; I take no chances.)

So, the wistful swoon. This is where I consider the choices made and find them wanting. It is not so much about regret, as that would suggest that I actively considered, before rejecting, better alternatives, as it is an acute awareness of my lacks. What did I not think, not feel, not do. How did I fail to engage in my own life, to secure myself in this life. What have I wanted and not wanted, and what have I done with these wants. Have I allowed myself to want.

And this is where I pick up the story of failure: No, I haven’t allowed myself wants.

Yes, I’ve wanted chocolate and beer and coffee and more sleep, and gotten those. Things I could get for myself.

But wants from others? Nooooo. Hence, the accomplishment, and the failure: For too long I wanted from others what seemed like too much, a want that seemed outsized and overwhelming and frankly all out of proportion to what any reasonable person should want. Thus, I began to remake myself into this reasonable person, to separate my wants from myself, to pare down want and need until they were small and hard enough to expel from my being.

Not for me. That’s all. Not for me.

Thus the jokes about my bitter little heart, my small life, my unwillingness to date, how unsuited I am to long-term (romantic) relationships, my skill at getting in my own way. Ha ha ha.

Mostly I find these jokes harmless, or even a good way to keep myself from Taking Myself Too Seriously.

But there are days I turn that bitter little heart over in my hands and think, What a waste.

(And here I pause, uncertain of whether to proceed. All of these things, Not For Me, how can I discuss them? I can barely say the words aloud, knowing they will dissipate in the solitude of my room. To write them, to be read by others? Could I take them back. . . ?)

Contraband, these wants, smuggled back when my attention flagged. And so begins the swoon: surveillance weakens, and I am pummeled by desire.

Riding shotgun to desire is uncertainty: Was I wrong to banish such wants? Perhaps a fully human life is one less strict with desire, more generous regarding, even gentle with, the wish for others. Perhaps self-discipline, a means to an end, has crept too far into the end zone. Am I missing my own life?

Thus, the wistfulness: what am I missing?

And the swoon: I miss what I don’t even know I’m missing.





Stories for boys [and girls]

12 10 2008

So here’s the skinny from C. on the writing thingamajig:

http://www.nanowrimo.org/

Read the rest of her comment on my last post to get a few more calories.

I already have my topic, which, actually, makes things a bit difficult: I now have to wait three weeks before I can proceed. Thus, I’m stoppering my thoughts so they don’t don’t all leak away.

But, I think, a love story. Of a sort. Perhaps an erotic story? I’ll see what happens with the words.

On the topic of erotica and sex scenes, C. and I have agreed that the words ‘purple’, ‘throbbing’, and ‘member’ should never appear together. I would add, or should I say, nix, the two c-words (at least as far as erotica goes). Oh, and I read a sex column not too long ago which referred to someone ‘slurping’ away on someone else’s c— and I thought, Jeez, slurping. Not sexy.

Where was I?

Oh, yes, writing. Think some thoughts, then sign up. And thank C. for this.

*UPDATE*

All right. I’ve signed up. You?