Why didn’t anyone tell me about The Great British Baking Show?
Okay, yes, there all kinds of social media stories and tweets and whatnot about the show, but still.
I was scrolling through Netflix last weekend, once again failing to get into Jessica Jones, and thought, huh, this Brit bake bit, why not.
Why not, indeed. I slurped down that first season Fri-Sat, then on Sunday watched the entirety of season two. This past weekend, did the same with seasons three and four. (I was going to save that last available season until next weekend, but then thought, Who am I kidding, and binged away.)
I don’t know why I liked it so much. I have watched my share of cooking shows (tho’ I’m not much for cooking) and enjoy baking (tho’ rarely do), and even a few competitive cooking shows, but nothing about all of the media around the show made me particularly want to watch it.
The set-up (for the eight of you who haven’t watch it) is simple: 12 (in one season, 13) amateur bakers start in episode one; after 3 different bakes judged by two judges (and watched over by the mildly-comic-relief hosts), one person is declared star baker and one sent home. Episode 2, same as the first, on down to the last episode, in which the final three bakers compete for the title.
That’s it. Regular folk from across the UK watching their custards curdle and caramels crystallize and peering into their ovens for their goods to rise and bake in the too-little time left.
All the while trying to meet judge Mary Berry’s standard of “sheer perfection”.
It’s charming.
The bakers are both competitive and cooperative, aware of their own positions but also helping each other and teasing each other and sharing a kind of esprit de corps in the face of the judges oft bewildering instructions.
And withering criticism: Berry and fellow judge Paul Hollywood are unsparing, clear in what they like and don’t like.
That first season, I admit, I cringed at the criticism. I found it hard to watch the bakers as they presented wilted towers and underbaked breads to the judges, watched the color flow into or out of their faces as Berry and Hollywood noted precisely what was wrong with the bake.
Of course, there was plenty of praise for “good bakes”, too, but it was the criticism that got to me.
I’m terrible with criticism, more so now than I was when younger (when I was also not great with it). I have difficulty separating a critique of a performance or an essay from an evaluation of my very existence as a human being, which has meant, unsurprisingly, that I have difficulty putting forth anything which matters to me out in front of other people.
I have of course: am doing so now, with this blog. But it took awhile to get comfortable with this—early on I went to some effort to separate my give name from my chosen blog-name—and even now I oft say, Well, it’s not like any of this matters.
(Which is, of course, a dismissal of those of you who do read this. The joy of neuroses lies in the double move of magnifying the number of those who see one’s faults and diminishing those who see the good.)
Anyway, these firefighters and gardeners and stay-at-home moms and students are afraid—literally shaking afraid—and putting themselves out there in front of gods and country and having a go.
So there it is: not just charming, but inspiring.